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How Social Media Sells Part 2

UPDATE (05-22-12): The book is really good and well worth the read, if you’re into sci-fi.

 

I write, direct, and edit my own movies/commercials/shorts/music videos/etc. If I like the project, or if the pay is right, I’ll do it for others as well. But, do it well means I have to watch A LOT of movies, to study how the masters do it and also to know what kinds of things people are into now.

It also means I read a ton of screenplays and books, not to mention news articles, blog posts, and Twitter. Story is vital; if a movie doesn’t have a coherent story, very few people are going to like it. And, whatever lofty goals I might have as a visual artist, the art must also appeal to the audience. As such, I’m always on the lookout for a good story to study. My preferred method of consumption is books (ebooks via the Kindle).

So, when my Twitter friend Ross Pruden mentioned he was reading “The Mote in God’s Eye”, I added it to my reading list. It’s about six months later and I’ve bought it and am now reading it.

Interviewed by Filmcourage


I believe that, in order to make a dream a reality, I need to make plans, a viable path by which those dreams can be made real. What that means is that I’ve got a goal in front of me, and when I get to that point, I’ve got the next goal after that, all planned out until I have my dream (a functioning movie studio located in rural Japan).

One of those goals was to be interviewed by Karen and David of the podcast and website Film Courage. Well, a couple weeks ago, that goal became a reality. Now, before it seems to heartless or methodical, let me say, I truly respect Karen and David as journalists. They are some of the truest and nicest people I’ve met in Hollywood. Each time I get to talk with them, I find that to be more true.

Anyway, they did two interviews with me. The first ended up being what I learned from making my first movie:

The second interview was supposed to be part of a promotion Karen and David are doing for their next movie GOODBYE PROMISE, but it got kind of intense and I guess they decided to drop it in their normal feed:

Let me know what you think.

How Social Media Sells

UPDATE (05-22-12): The game is basically like Indiana Jones meets modern-day weapons and tropes. Also, more third-person-shooting. It’s now among my favorite games of all time.


While I was in college I met a woman named Emily. She was pretty nice, though my main reason for knowing her was because I was friends with her then-boyfriend. Emily went on to UCLA and then into the entertainment business, appearing in shows like E.R. She’s now the star of a the SyFy show Haven. But, before she got that big break, she did some voice acting for a video game called UNCHARTED.

When I bought my PS3 it came with INFAMOUS 2, which I loved. But, since then I haven’t been able to find another game that really worked for me. I’ve played a few of the really big games, but they usually fall short on one level or another. So, I decided to pick up UNCHARTED. Sure, I’d been hearing great things about it from everyone, but what really made the decision for me was because I wanted to see how Emily Rose chose to play a voice-only character. Turns out, she’s pretty darn good.

And, so far, the game is really fun. Great story, good gameplay (a bit heavy on the cinematics, but they work).

The Forest for the Forest

I’ve noticed that when I start the day doing something I enjoy, my day seems to go a lot better. I used to live in an apartment complex and so I’d start each morning with a swim and a soak in the hot tub. But, my current home has neither hot tub nor pool. So, I’ve substituted it with sit-ups and a bath.

As you might imagine, the bathroom can get a bit muggy, so I open the window. Since it’s the morning, and since I live near a school, I hear the sounds of the children as they’re ushered on their ways. Sometimes their happy, sometimes the moms are chatty. Other times… not so much.

It got me thinking, about how the children cry and how small and irrelevant their pleas for stress relief are. Their problems are so small: untied shoelace, the walk is too long, they don’t get to stay home and watch (insert time-appropriate children’s show here), the girl they like dismissed their attention yesterday, you get the picture. Small fleeting problems seem so large to them.

Of course, I wouldn’t be much of a thinker if I didn’t apply the same logic to myself. I get so upset when Client procrastinates for weeks, then calls up 5:00pm and demands a cut by 9:00am the next morning. Or, some part of my script isn’t working–those are the worst. Suddenly, all my previous work is irrelevant and I question not only my artistic ability, but the course of my career, and yes, even the usefulness of my very existence.

As an existentialist, I’ve got a couple, contrary opinions on this.

1) THE FOREST: My problems really aren’t that big. Not only that, but I’ve got enough life-experience to know that the problems will work themselves out (with some sweat-equity) and then I’ll be the happy/content/fun person my friends all know and love.

2) THE TREES: Being human means having problems. Staying human means that those problems are real and the emotions I have relating to them are real and valid. If I chose to ignore my emotions, then they bottle themselves up and eventually overflow at some time in my life when it’s the least convenient: on set, to my wife, at friends (I almost lost a few for just that reason).

There is a perspective question people like to use, “Your missing the forest for the trees. It means that sometimes people nitpick problems and don’t see the larger picture. But, being human means that we can actually do both. In fact, I’d argue that it’s important for our future that we learn to do both, at least that’s the case for me.